The Z7’s ISO range stretches from 64-25600 (expandable to 102400), while the a7RIII offers the slightly higher native range of 100-32000 and can also be expanded to 102400. The high-resolution sensor benefits from sensor-shift image stabilisation technology offering up to 5-stops of compensation – the Z7/Z6 are the first Nikons to feature In Body Image Stabilisation (IBIS). On the E-mount model, the movie recording button is located near the EVF on the rear. Looking at the mount, the Sony is held in place by six screws rather than four on the Z7. A single slot can be a deal breaker for photographers who rely on two cards for their work or want some peace of mind. The Nikon Z7 is built around a 45.7-megapixel back-illuminated (BSI) CMOS full-frame sensor and features the new Z-mount, which is notably wide and was designed to allow Nikon to build lenses with faster maximum apertures. For the Sony, an optional grip extender can certainly improve the ergonomics (see our A7 series accessory list to find out more). The focus motor moves the lens in order to autofocus. Cameras Coming From Fujifilm, Sony, Canon, Nikon, Panasonic, Olympus, and Hasselblad in 2019 ; Size Comparison Canon EOS R vs Fujifilm X-H1 vs Sony a7RIII vs Nikon Z7 ; Sony a9, Sony a7III, Sony a6400, Fujifilm X-T3, Canon EOS R, and Nikon Z6 Eye AF Test Comparison ; Sony a7III vs Nikon Z5 vs … Overall Technical Image Quality Both LCDs and EVFs provide enough detail and sharpness to manually focus with ease, with or without magnification. On the other hand, Sony A7 III has a 24.0MP Full frame (35.8 x 23.8 mm) sized BSI-CMOS sensor and features Bionz X processor. Your personal data won't be recorded until the form has been submitted successfully. ... Sony a9 Sigma fp Nikon AF Nikkor 85mm f/1.4D Sony FE 50mm F1.8 +2 more. The Z7 has two handy Fn buttons on the front near the mount that are easy to reach, and those are the ones with the largest number of settings you can choose from (36 options in total). 2)MF spot positioning/mag control. The higher magnification coupled with the slightly shorter eye point makes the screen look bigger than the Sony’s, and despite wearing glasses, only the very edges of the four corners are cut off which is not a big deal. Exposure compensation can be used in manual mode with Auto ISO on both cameras. Image & Shooting. I too would have preferred to see a dual solution on the Z7. I think we call a draw here. You can bypass the dial and work at ±5Ev by assigning the function to a custom button. Share. The Z7 allows you to lock shutter speed and aperture, whereas the A7R III can lock the AF joystick, dials, control wheel or all of them. Comparison winner. On the Z7 you can do everything, including navigating the menu which is fast, precise and reactive. Each models has a number of other noteworthy features that should be considered. Screen This tab shows the measurement values and graph derived directly from a RAW image when displayed on a computer screen at 100% magnification (i.e., one image pixel corresponding to one screen pixel). As a result you can rest all your fingers more comfortably. The 4-way controller can also be rotated on the Sony, whereas the one on the Nikon works in 4-directions and can’t be personalised (unlike the A7R model): it can be used to move the AF point or navigate the menu. Canon EOS R5 vs Nikon Z7 II vs Panasonic S1R vs Sony A7R IV: Summary. Compared to the Sony A7R III, the Nikon Z7 appears a bit more robust in terms of ISO range and focus points, and, like the Z6, has a sharper EVF and touchscreen. Thank you! Sony’s decision to stay with the A7ii EVF in the A7iii killed it from my list. The A7R III has a mode called “Sunny Weather” which boosts the brightness of the LCD screen and can be of use when working in outdoor locations. The latter has a longer eye point (23mm vs 21mm on the Z7) and the refresh rate can go as high as 100fps (PAL) or 120fps (NTSC), whereas the Nikon is fixed at 60fps. Meanwhile the a7RIII boasts a Pixel Shift mode that combines multiple files to produce one single file with greater detail. The Nikon system is designed to work in tandem with the Nikon VR lenses in much the same way as the Sony SteadyShot system does. This becomes quite annoying if you frequently change between native and DSLR lenses and require the use of a tripod with both. Videographers can also choose to shoot at Full HD at 60p or take advantage of each camera’s ability to shoot 120fps for cool slow motions sequences at Full HD. There’s been no more hotly-contested sector in the industry this year than full-frame mirrorless market. Even before Panasonic announced its S1 development models at Photokina, Canon had pulled the covers off its EOS R, and Nikon brought two full-frame models to the market, the Z6 and Z7. Enter your email and click the blue button below to open the subscription form. While Nikon is at the beginning of its new mirrorless path, the A7R III represents the most mature product in a series that continues to grow in popularity. A third-generation model, it has set a new benchmark when it comes to image quality and technology that is hard to match. That being said, by offering more customisation, the A7R III can become more user-friendly if you dedicate the time to learning how to use it well. Nikon's version powers down into a locked state rather than let the sensor platform dangle in space when in your bag, as with some other brands. The concave design of the Sony’s makes it a little more comfortable but the one on the Nikon is nice to use as well. If you activate the Low-Light AF, the Z6 capabilities increase to -4Ev but focusing becomes slower. Both the cameras are weather-sealed, making them suitable for professional use and capable of operating in harsh environments. For real world use, I’ve grown quite fond of the Z7 viewfinder. This is more than enough to make huge prints of your images or, alternatively, allow the photographer to crop in intensively into an image without compromising image quality. It would also have been nice to have the option to “click” it when using it for aperture changes in still mode. The Z7 version is larger and has more resolution (3.2 vs 3.0 inches, 2.10 vs 1.44 million dots). They are clear and bright but the details are definitely smoother on the Nikon screen when browsing through the menu or manual focusing. Speaking of personalisation, the Z7 has 7 function buttons whereas the A7R III offers a total of 11 customisable buttons, plus the rotation of the control wheel to which you can also assign a specific setting. Sony A7III comes in dead last, with the A7RIII a bit better. Has a built-in focus motor. Nikon Z7 vs Sony Alpha a7R III. Ethics statement: We purchased the Z7 and A7R III to conduct our tests. Nikon Z7 vs Z6. The Z7 doesn’t have a similar mode but it remains more than decent if you boost the brightness up to +5. On the A7R III, you can use the control wheel for the same purpose. This comparison is divided in four parts to facilitate navigation: Table of contents – Page 11. On 22 August 2018, Nikon stepped up to the plate as the second camera manufacturer to release not one, but two full frame mirrorless cameras. Nikon Z6 vs Sony A7 III — Price and Release Date. They share many characteristics including a similar sensor resolution, 5-axis stabilisation, hybrid autofocus, 4K video, as well as numerous other things. Screen This tab shows the measurement values and graph derived directly from a RAW image when displayed on a computer screen at 100% magnification (i.e., one image pixel corresponding to one screen pixel). There are six main directories including a separate page for video, custom settings subdivided in 7 categories with different colours (autofocus, metering etc. Sony Alpha a7R III. All players do well here except Canon. Canon EOS R vs EOS RP. After two months of testing, we have a pretty good idea of how they compare. What’s more, the Z7 falls down in one important area that has niggled long-time Nikon users…storage slots! It’s fair to say that all the brands have one target in their sights, Sony, who have dominated full-frame mirrorless cameras over the last few years. On the Sony it is limited to moving the focus point and swiping though your images in playback mode. ), and even one to retouch images or develop RAW files in camera. It is small but does the job well and while not essential, it’s a very handy to have. Sony A7 III, A7R3 & A9. The A7R III gives you much more freedom as each C button can be configured with a choice of 82 settings. The On/Off switch is larger on the Nikon, and its shutter release button is more sensitive. The Z7 boasts a cool focus stacking mode that will make capturing ultra-sharp shots via multiple images a lot easier. Nikon Z7. Anyway, as you might have already guessed, the A7R III has two SD card slots with the first one being UHS-II compatible. It’s definitely one of the best touch screen monitors I’ve used on a mirrorless camera. As you’d expect from two high resolution full-frame models, both cameras in this test can produce huge image files. The single slot choice on the Z7 has generated a lot of disappointment considering the price of the camera and the fact that nowadays, many high-end mirrorless products have adopted the dual slot solution. So overall the Z7 offers less customisation than the A7R III but it is also more well configured by default and I felt less of a need to change things.